The end of the song is interesting as it gets high on emotional content. Lahu muh lag gaya is high on music, but not attention grabbing. The singer takes the song and the music to another level. It can strike an instant chord with the emotional audiences. It starts with temple bells and has a spiritual feel to it. Singer Arijit Singh surprises with Lal ishq. Slightly lengthy, its music has a little disc spinning. Sanjay Leela Bhansali, 2013), a Bollywood adaptation of Romeo and Juliet, from a local/political and female-centred angle.Bhansali’s Romeo and Juliet localizes and provincializes Romeo and Juliet by situating it in Gujarat with recognizable traditional dance numbers, and considerably mythologizes the hypotext 1 by the. Ishqyaun dhishqyaun is all about fun and frolic. Abstract This essay explores Goliyon Ki Rasleela Ram-Leela (dir. One might find it difficult to understand the language, but the passion in the music hooks the listeners. Do not confuse it with the fast paced dance number. Sung by Osman Mir and Aditi Paul, it is a happy, naughty and fun song. Shorter then the earlier one, it might not be among the best songs of the album.ĭipped in Rajasthani flavour, Mor bani thangat boasts of colourful culture. This is a singer's track and Shreya Ghoshal is the heroine of the song. Seldom does one find such a soothing, slow-paced romantic song. You are enchanted once the beautiful and slow number unfolds.
Barring a few, all the songs are worth listening to.Īditi Paul and Shail Hada soulfully sing the first track Ang laga de. Director Sanjay Leela Bhansali, known for making many a magum-opus, adds grandeur to the album with his compositions but at the same time gives enough space to his singers to shine. Packed with 10 culturally nourished songs, the Ram-Leela soundtrack has no remix or reprised version, but it's a feast for music lovers. Ram-Leela not only provides new understandings of Romeo and Juliet and, ultimately, Shakespeare, but also of the contingencies and complexities of modern-day India.Singers: Bhoomi Trivedi, Shail Hada, Aditi Paul, Osman Mir, Shreya Ghoshal, Arijit Singh, and Aditya Narayan Ram-Leela Is Hindi Songs Album Its Features Artists Such As Aditi Paul, Shail Hada, Shreya Ghoshal, Aditya Narayan, Arijit Singh, Osman Mir, Bhoomi Trivedi. National tensions find their counterpart in tensions that inform Ram-Leela as an adaptation: this is a work that is both a Shakespearean adaptation and a Bollywood film, the two forms interacting with each other in a unique combination.
Rahman delivers his best in his recent years and makes 'Ram Leela' a strong contender to be among the best soundtracks of 2013'. Joginder Tuteja of Bollywood Hungama gave the album 4/5 stars and said that 'A.R. The album received positive reviews from critics. Bhansali’s adaptation equally shows women that are oppressed-the girl in the item number (musical number inserted in the film) and the widows (neither finding a Shakespearean counterpart)-women that are at one and the same time oppressed and resistant (Dhankor Baa/Lady Capulet and Leela/Juliet), and some women showing signs of female agency at the end of the adaptation. 'Ram-Leela' is the first collaboration of Rahman and Javed Akhtar after the formers scores for the 2010 film 'Black'.
This tension also finds its niche in the depiction of women in the film. The constant ambiguities they bring up inevitably point to the non-isomorphic flows that characterize the nation-state. But, localization is not exempt from problems in this film, for dance and Hindu myths are both markers of tension in modern-day India. Bhansali’s Romeo and Juliet localizes and provincializes Romeo and Juliet by situating it in Gujarat with recognizable traditional dance numbers, and considerably mythologizes the hypotext 1 by the prioritization given to festivals and the parallels between the leading pair and well-known Hindu divinities. Sanjay Leela Bhansali, 2013), a Bollywood adaptation of Romeo and Juliet, from a local/political and female-centred angle. This essay explores Goliyon Ki Rasleela Ram-Leela (dir.